Appel enregistré
2018.
177 x 150 x 70 cm.
aluminium sheets, blind rivets, bolts, nuts, washers, automotive wire, sandpaper, anti-slip tape, foam, lighting filter gel, fired terracotta, air dry clay, ribbon, thread, embroidery thread, safety pins, paint, prints, punched pockets, a bobby pin, mirror, performer, video.
Appel enregistré acts as a shattered body cynically enjoying the thrill and pain of the repetition of a static path. Lying in the wait for an ending materialisation to its own utopia, it develops a normative behaviour towards its own flaws.
Different characters share their responsibility in this quest for achievement :
Utopia :
Realised, finally,
I am matter so I exist,
without this body.
I set myself free,
to please and pleasure me,
grow free.
The Mind :
We are alike,
I mean.. you are me or me are you,
you play me or I play you,
well.. in the end, I don't know,
this is the way I am,
I, it's all I live.
The Spine :
I am alone. Condemned.
Jiggling on their prayers.
They don't hear me anymore.
They all fools think they don't need me.
Five Left Toes :
We have taken a decision,
twenty-seven years ago,
to stick to this ship no matter what!
Our shadows are getting thicker,
they want to get rid of us!
a Human :
waiting
In front of the
elevator's doors
my call flashes
I know all I know
it's coming for me
to take me
to destination
self realisation
impatient I pray
blue to reach red
the moment waits
stretches my passionate impatience
impatient passion
still hoping
for it to come
I dance












Performers: Sarah White, Marie Aimee Fattouche
Photos credit: Alessandra Sormani
Video credit: Paolo Capelli